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Lunch With The King
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Vous avez sélectionné:
Lunch With The King
Partitions à imprimer
13 partitions trouvées
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1
Love Will Keep Us Together
Love Will Keep Us Together
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Instruments en Do
#
INTERMÉDIAIRE/AVANCÉ
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The Captain & Tennille
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John Fries
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Love Will Keep Us Together
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1175007 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,...
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C Instrument - Level 4 - SKU: A0.1175007 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #775138. Published by John Fries (A0.1175007). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain” Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.
$3.99 ≈
3.72€
Love Will Keep Us Together
Love Will Keep Us Together
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
The Captain & Tennille
#
John Fries
#
Love Will Keep Us Together
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1358305 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Standar...
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Piano Solo - Level 4 - SKU: A0.1358305 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Standards. Score. 3 pages. John Fries #942772. Published by John Fries (A0.1358305). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain” Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.
$5.99 ≈
5.59€
Love Will Keep Us Together
Love Will Keep Us Together
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
#
The Captain & Tennille
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John Fries
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Love Will Keep Us Together
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199669 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Centu...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199669 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 3 pages. John Fries #798672. Published by John Fries (A0.1199669). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. It was first recorded by Sedaka in 1973. American pop duo Captain & Tennille covered the song in 1975, with instrumental backing almost entirely by “Captain” Daryl Dragon. Sedaka admitted lifting the main chord progression from Do It Again by The Beach Boys and added a progression including augmented chords. Neil Sedaka rerecorded a spoof of his song, renaming it Lunch Will Keep Us Together for his first children's CD Waking Up Is Hard to Do.
$4.99 ≈
4.66€
The Ladies Who Lunch
The Ladies Who Lunch
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephen Sondheim
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Joseph Church
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The Ladies Who Lunch
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Joseph church
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.919264 Composed by Stephen Sondheim. Arranged by Joseph Church. Contemporary. Score. 4 pages. Joseph church #6488795. Pub...
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Piano Solo - Level 4 - SKU: A0.919264 Composed by Stephen Sondheim. Arranged by Joseph Church. Contemporary. Score. 4 pages. Joseph church #6488795. Published by Joseph church (A0.919264). This playfully beautiful re-imagining of Sondheim's Classic character song from Company is a perfect challenge for anyone looking for something to really get their teeth into. Not too long and with a very accessible difficulty level it boasts fluid and playable runs, crunchy jazz chords and really puts that famous melody in the spotlight. Don't let all that fool you though, this is not the simplest arrangement but it fits very nicely under the fingers and you'll be reeling it out to show off your chops in no time! Be as free and playful with the rhythms, timing and dynamics as you wish, this piece needs to be milked for all its worth!
$4.99 ≈
4.66€
Lunch With The King
Lunch With The King
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Xylophone, Piano
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Classique
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Tunescribers
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Lunch With The King
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ArrangeMe
#
SheetMusicPlus
Piano,Xylophone - SKU: A0.1339008 Arranged by Tunescribers. Classical. ArrangeMe #36859. Published by ArrangeMe (A0.1339008). ...
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Piano,Xylophone - SKU: A0.1339008 Arranged by Tunescribers. Classical. ArrangeMe #36859. Published by ArrangeMe (A0.1339008).
$9.95 ≈
9.29€
The Westwood Harmonic Summer Dance
The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00 ≈
4.67€
2 Cool Mice and 18 other fun pieces
2 Cool Mice and 18 other fun pieces
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Piano seul
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DÉBUTANT
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Barbara Arens
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Barbara Arens
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2 Pigs discussing Lunch
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2 Cool Mice and 18 other fun p
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Barbara Arens
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1417909 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Children,Contemporary,Instructional,Jazz. Sc...
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Piano Solo - Level 1 - SKU: A0.1417909 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Blues,Children,Contemporary,Instructional,Jazz. Score. 30 pages. Barbara Arens #999451. Published by Barbara Arens (A0.1417909). Inspired by my youngest piano pupils, I've had a marvellous time writing imaginative little animal-themed pieces they can have fun with. I especially had a great time thinking up the titles: An Ant-eater dancing a Jig; 2 Pigs discussing Lunch; A Snake dreaming of Belly Dancing; 2 Badgers taking a Midnight Walk; Centipede considering Tickling Someone; A Cat totally ignoring You........ various styles have been used - several jazzy pieces, with swung quavers/8ths, but lots of descriptive pieces for small hands. For Initial - Grade 3 / Early Elementary-Late Elementary.
$12.99 ≈
12.12€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
9.32€
Dinosaur Collection
Dinosaur Collection
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Piano seul
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FACILE
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Lynne Cox
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Dinosaur Collection
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Lynne Coc Publications
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1030611 Composed by Lynne Cox. Contest,Festival,Instructional. Score. 12 pages. Lynne Coc Publications #635979. Published...
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Piano Solo - Level 2 - SKU: A0.1030611 Composed by Lynne Cox. Contest,Festival,Instructional. Score. 12 pages. Lynne Coc Publications #635979. Published by Lynne Coc Publications (A0.1030611). This late elementary/early intermediate collection of piano solos (no lyrics) includes four 4 character pieces capturing the personalities/characteristics of the dinosaurs in Lynne's personal Jurassic neighborhood. Piano solos in this book have been chosen for national and state contest/festival lists. These 4 character pieces capture artistically the personalities/characteristics of the dinosaurs and the flying reptile of that age, the Pteranodon. Includes: TYRANNOSAURUS REX, heralded as the king he once was with a trumpet fanfare, marches menacingly in C minor through the prehistoric forest, Form: intro ABA coda; PTERANODON, a flying reptile that lived in this period is a haunting melody in E harmonic minor w/melody in RH supported by arpeggios in LH. B section arpeggios sweep over the piano representing flying. Form:ABA; BRONTOSAURUS lumbers through the forest using answering open fifths between the hands and at times answered by RH breaking up triad; begins both hands in bass clef, Form: ABA coda, the coda represents chase as he valiantly tries to escape being the lunch of Tyrannosaurus by running into the nearest lake at the end to escape, this ends in a sweeping glissando as he dives; STEGOSAURUS is in a fun mood and dances to a Latin rhythm. With hands in unison in intro, the LH takes the melody in A section, reversing in B section presenting RH to have melody w/LH accompaniment. Form: intro ABA coda, in B harmonic minor. Great for recitals and/or contests and festivals. ***once you click on you tube link below, which is for Tyrannosaurus, you will see others on you tube. In other words, they are listed one piece at the time, not the entire collection,.
$6.98 ≈
6.51€
Two Irish Songs
Two Irish Songs
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Novie Greene
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Two Irish Songs
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Imagine Music - Digital
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SheetMusicPlus
Bassoon, piano, voice - SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music ...
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Bassoon, piano, voice - SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music - Digital (IZ.PDP039). 9 x 12 in inches.The Two Irish Songs were arranged in 1983 at my suggestion. Mycousin, Ed Searl, was studying voice with Novie Greene at the time, and it was through him that I made her acquaintance. The three of us thought that it would be nice to have something which we could all perform together, and so Novie began working on these charming settings. We premiered these pieces at a Bach's Lunch Concert at the Cathedral Church of St. Luke in Orlando on 28 April 1983. I have performed them since then as a set and also done St. Patrick's Breastplate several times for church services. The hymn is frequently used during confirmation or baptis1n ceremonies. The text is a translation of a Gaelic prayer done in 1889 by Cecil Frances Alexander (1818-1895), the wife of the Anglican Bishop of Derry and Raphoe. She also wrote the text for the hymn All Things Bright and Beautiful. The tune chosen by Novie Greene, sometimes known as St. Patrick, is by the Irish composer Sir Charles Villiers Stanford (1852-1924), who wrote it in 1902. Stanford is best remembered today for his work as a professor of composition at the Royal College of Music. His students there included Frank Bridge, Samuel Coleridge-Taylor, Thomas Dunhill, Gustav Holst, Herbert Howells, Willian1 Yeates Hurlstone, and Ralph Vaughan Williams. ~Bruce Gbur.
$20.00 ≈
18.67€
Ascending Everest
Ascending Everest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Sir Lunch
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Ascending Everest
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Sir Lunch
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0....
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Concert Band - Level 3 - SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0.1024251). Ascending Everest is an exciting new work for Concert Band that endeavors to create the varying moods that I imagine would accompany such an incredible undertaking as scaling the world's tallest mountain.The piece opens with a dramatic minor chord as the behemoth is viewed in person for the first time. It then quickly delves into the business at hand with a mixture of excitement and forboding. The middle section represents the first night's base camp, as weariness and doubt cause the climber great trepidation over what is yet to come. What if I can't do it? What if I fail? The tone begins a subtle change as renewed determination sets in, and the climax rings of victory!This work is for Concert Band, however the standard instrumentation is not strictly adhered to. In my experience, most high school or community bands don't have anyone to play bassoon and so I elected not create such a part. Also, you will note that there is no Percussion 2. It was merged with Percussion 1. Please feel free to contact me with feedback at sirlunch@gmail.com One last note. The mp3 is a computer generated file and begins at around the 30 sec mark.
$65.00 ≈
60.67€
A Dollar & Fifteen Cents
A Dollar & Fifteen Cents
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Piano, Voix
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Gus Williams
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A Dollar & Fifteen Cents
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4176 Composed by Gus Williams. Portraits, Caricatures, Dialects, Courtship, Love, Food, Eating & drinking. Lester S. Levy Coll...
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Piano and voice - SKU: LV.4176 Composed by Gus Williams. Portraits, Caricatures, Dialects, Courtship, Love, Food, Eating & drinking. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4176). Favorite Comic Songs. No. 3. A Dollar & Fifteen Cents. Written by Gus Williams. Published 1872 by Louis P. Goullaud, 86 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Caricatures, Dialects, Courtship, Love, Food, Eating & drinking. First line reads 'Twas at a down town lunch saloon, on Mister Tremont's street.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Piano Quintette: piano, 2 violons, alto, violoncelle
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AVANCÉ
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Cello - Will Mace, Robert Asto
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"Quincie", Quintet F
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Geraldine
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Mat...
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard” this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00 ≈
70.00€
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Lunch With The King
